Proel MLX3642 - Manuale (Pagina 21)

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112. MUTE switch
When you engage a the AUX channel’s mute switch, its signal disappears from its output.
113. SOLO indicator
If the SOLO LED lights this means that you have activated the SOLO switch of this channel.
114. SOLO switch
This switch allows you to hear the signals of AUX output through your headphones or control room outputs and to
display the level on LED meters.
115. AUX 1-4 SEND FADER LEVEL control
It adjusts the general level of the AUX 1, 2, 3 or 4 SEND output. This control ranges from off to +10 dB of gain at maximum.
116. AUX 5-6 SEND LEVEL control
It adjusts the general level of the AUX 5 or 6 SEND output. This control ranges from off to +10 dB of gain when fully
clockwise .
117. GROUPS INS in/out insert jack
This is where you connect serial effects such as compressors or equalizers for the whole instruments or vocals grouped
together, an advantage of an effect plugged here instead of in the channel insert jack is that, plugged here, it acts only
for MAIN mix bus and not for the AUX mix bus. Wiring is the same of previous paragraphs.
118. GROUPS output
These JACK connectors provide an unbalanced line-level signal from the GROUP 1,2,3 or 4 bus signal overall controlled
by the GROUPS 1,2,3 or 4 FADER level control.
119. (group to) MAIN MIX switch
This switch assigns the GROUP bus to the MAIN MIX bus. As explained earlier, pushing down this switch you can use the
GROUP as sub-mix groups, enabling you to control the level of several channels with one knob.
120. PAN control
It adjusts the amount of GROUP signal sent to the LEFT versus the RIGHT outputs depending on GROUP bus use. Tipically
if the GROUP is used as single mono it remains centered, if it is used in stereo double combination (1-2 or 3-4) it must
be panned fully left or fully right to give the same panoramic stereo scene of the channels assigned to it.
121. PEAK detector
If the PEAK LED flashes this means that the GROUP summing bus signals are near to the CLIPPING point.
IMPORTANT: if the LED PEAK flashes reduce the level of the GROUP FADER level.
122. MUTE indicator
When the MUTE switch is engaged this LED lights.
123. MUTE switch
When you engage a GROUP channel’s mute switch, its signal disappears from its output and, if assigned, also from
MAIN MIX.
NOTE: the GROUP channel signal is not completely muted by this switch, so you can listen to it thru headphones and
MONITOR outputs acting on the SOLO button in PFL mode only (see SOLO MODE).
124. SOLO indicator
If the SOLO LED lights this means that you have activated the SOLO switch of this channel.
125. SOLO switch
This switch allows you to hear signals through your headphones or MONITOR outputs and to display the level on LED
meters. Use the SOLO to pre-listen the sum in the GROUP channel before they are fed into the mix or its output.
IMPORTANT: The solo signal is pre-fader if SOLO MODE is in PFL position, so what you check is the signal entering in
the GROUP bus. The solo signal is post-fader if SOLO MODE is in AFL position, so what you check is the signal sent after
the GROUP FADER to its output or MAIN MIX.
126. GROUP FADER control
The GROUP FADER control the level of the GROUP bus to its outputs or, if its "MAIN MIX" switch is down, to the MAIN
MIX bus.
127. MAIN INS in/out insert jack
This is where you connect serial effects such as compressors or equalizers for the whole MAIN MIX. Wiring is the same
of previous paragraphs.
128. MAIN MIX L & R xlr output (balanced)
These XLR connectors provide a balanced line-level signal that represents the fully mixed stereo signal controlled by the
MAIN MIX fader. Connect these to the inputs of your power amplifier, powered speaker or processors.