Proel MI16 - Manuale (Pagina 13)

13
27. FADER LEVEL control
It adjusts the level of the channel signal and send it to the MAIN MIX outputs.
28. AUX RETURN jack input
Unbalanced jack connectors of the auxiliary stereo input (note: the L input can be used as MONO if R input is le
unconnected). This input can be used for the return signal from outboard eff ects or for connec ng any instrument or
equipment with a line output.
29. AUX RETURN TO MIX level control
It adjusts the level of the AUX RETURN inputs and send it to the MAIN MIX.
30. AUX RETURN TO AUX 1 SEND level control
It adjusts the level of the AUX RETURN inputs and send it to the AUX 1 output.
31. 2TRK inputs
Use these unbalanced RCA connectors to patch the output of a player, such as an analog tape deck, MP3 player, CD/DVD
player or a Personal Computer.
32. 2TRK IN level control
It adjusts the level of the 2TRK inputs and send it to the MAIN MIX and C.ROOM/PHONES.
33. PRESETS selector and display
The internal PROFEX digital eff ect processor is built around a powerful DSP and 24bit AD/DA converters. It includes 16
diff erent presets of studio-grade eff ect algorithm, each one featuring 16 diff erent varia ons of the internal parameters,
for a total of 256 eff ects available.
HOW TO USE THE PROFEX EFFECT:
- rotate the SELECTOR knob to choose the type of eff ect (preset) you want to use;
- to select a varia on of the preset, press and hold the knob un l the display fl ashes;
- rotate the knob and choose one of the 16 varia ons available;
- press and hold again the knob un l the display stops fl ashing to confi rm the selec on and to return back to the
preset selec on;
- send the signal to the eff ect with the AUX3 control (11)(23) of the channel you want to add the eff ect to;
- rise up the FX LEVEL (37) control un l you hear the eff ect added to the original signal;
- adjust the AUX controls (11)(23) just before the signal input clipping indicated by the peak led (35);
- re-adjust the FX LEVEL (37) control to combine the wet eff ected signal with the natural dry signal.
NOTE: the preset and the varia on selected in the PROFEX eff ect are kept in the memory even if you turn off the
mixer.
PRESET DESCRIPTION:
p 1. BRIGHT HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with
long pre delay and a lot of high frequency refl ec ons. Works well with vocals, electric and acous c guitars, strings.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 2. DARK HALL - This type of reverb simulates the ambience of a grand concert hall. Dense, smooth reverb with long
pre delay and a few of high frequency refl ec ons. Works well with vocals, guitars, woodwinds.
The VARIATIONS vary the decay me and the hall size from bigger [1] to smallest [16].
p 3. BRIGHT ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature
a lot of early refl ec ons with a lot of high frequency. Works well with vocals, woodwinds, strings, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 4. DARK ROOM - This type of reverb reproduces the more in mate ambience of natural room acous cs. Feature a
lot lot of early refl ec ons with a few of high frequency. Works well with vocals, fi ngered guitars, drums.
The VARIATIONS vary the decay me and the room size from bigger [1] to smallest [16].
p 5. VOCAL 1 (STAGE REVERB) - Amazing reverb designed for vocals with a long tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng plate, spring or hall types of
reverb.
p 6. VOCAL 2 (CLUB REVERB) - Amazing reverb designed for vocals with a dense tail.
The VARIATIONS vary the decay me from long tail [1] to short tail [16], alterna ng tape, hall or spring types of
reverb.
p 7. PLATE - This is a simula on of metal plate reverb, as used on classic recordings from the '70s and '80s.
The VARIATIONS vary the decay me from long tail [1] to short tail [16].
p 8. STEREO DELAY - Echo eff ect with ping-pong of le and right channels.
The VARIATIONS vary from long delay mes [1] to short delay mes [16].
p 9. STEREO TAP DELAY - Like STEREO DELAY above with me set by the user TAP bu on (22) just below.
The VARIATIONS vary from 5% [1] to 90% [16] of feedback quan ty.