Proel MLX3642 - Manuale (Pagina 16)

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source. This is used only in presence of LINE L jack input to use the channel as STEREO.
39. STEREO CHANNEL GAIN Control
The gain control adjusts the input sensitivity of the line inputs. This allows the signal from instruments to be adjusted
to optimal internal levels. There is 15 dB of attenuation all way down and 35 dB of gain fully up.
40. LEVEL SET indicator
This LED lights when the input signal is a little bit less the 0dB nominal level, so it can be used to check quickly the
optimal gain level without pressing the PFL/SOLO button and check the level in details on the LED meters.
41. EQ section HIGH control
This control gives you up to 15dB boost or cut at 12KHz with a “SHELVING” curve shape.
42. EQ section HI MID control
This control gives you up to 15 dB boost or cut at 3 KHz with a "PEAKING" curve shape.
43. EQ section LO MID control
This control gives you up to 15 dB boost or cut at 500 Hz with a "PEAKING" curve shape.
44. EQ section LOW control
This control gives you up to 15dB boost or cut at 80Hz with a “SHELVING” curve shape.
45. EQ ON switch
This switch turns on and off the EQ section, it is useful to listen the sound difference with or without equalization.
46. AUX 1 control
This control sends the channel signal to the AUX 1 output.
47. AUX 2 control
This control sends the channel signal to the AUX 2 output.
48. AUX 1-2 POST/PRE switch
This switch sets the AUX 1 and AUX 2 control sends as post or pre fader. As post the signal level depends on the position
of the channel FADER, as pre it is independent. The pre-fader setting is preferable if you want to use the AUX send as
stage monitor, in order to have your stage mix independent from MAIN MIX.
49. AUX 3 control
This control sends the channel signal to the AUX 3 output.
50. AUX 4 control
This control sends the channel signal to the AUX 4 output.
51. AUX 3-4 POST/PRE switch
This switch sets the AUX 3 and AUX 4 control sends as post or pre fader. As post the signal level depends on the position
of the channel FADER, as pre it is independent. The pre-fader setting is preferable if you want to use the AUX send as
stage monitor, in order to have your stage mix independent from MAIN MIX.
52. FX1/AUX 5 control
This control sends the channel signal to the AUX 5 output and to the internal FX1 DIGITAL EFFECT PROCESSOR.
53. FX2/AUX 6 control
This control sends the channel signal to the AUX 6 output and to the internal FX2 DIGITAL EFFECT PROCESSOR.
54. AUX 5-6 POST/PRE switch
The AUX pre-fader setting is preferable if you want to use the AUX send as stage monitor, in order to have your stage
mix independent from MAIN MIX. The AUX post-fader setting is preferable if you want to use the internal FX1 and FX2
DIGITAL EFFECT PROCESSORS, maintaining the dry/wet effect mixing balance also if you move the channel fader.
55. BAL control
It adjusts the amount of channel signal sent to the left versus the right outputs if the channel is used as MONO, or it
fades the LEFT or RIGHT signal amount if the channel is used as STEREO.
56. PEAK detector
If the PEAK LED flashes this means that the input signal is near to the CLIPPING point.
IMPORTANT: if the LED PEAK flashes reduce the level of the input signal using the GAIN control.
57. MUTE indicator
When the MUTE switch is engaged this LED lights.
58. MUTE switch
When you engage a channel’s mute switch, its signal disappears from these outputs: MAIN MIX, GROUP, AUX.
NOTE: the input channel signal is not completely muted by this switch, so you can listen to it thru headphones and